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What Belongs to You: A Novel, by Garth Greenwell
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Long-listed for the 2016 National Book Award in fiction
On an unseasonably warm autumn day, an American teacher enters a public bathroom beneath Sofia’s National Palace of Culture. There he meets Mitko, a charismatic young hustler, and pays him for sex. He returns to Mitko again and again over the next few months, drawn by hunger and loneliness and risk, and finds himself ensnared in a relationship in which lust leads to mutual predation, and tenderness can transform into violence. As he struggles to reconcile his longing with the anguish it creates, he’s forced to grapple with his own fraught history, the world of his southern childhood where to be queer was to be a pariah. There are unnerving similarities between his past and the foreign country he finds himself in, a country whose geography and griefs he discovers as he learns more of Mitko’s own narrative, his private history of illness, exploitation, and want.
What Belongs to You is a stunning debut novel of desire and its consequences. With lyric intensity and startling eroticism, Garth Greenwell has created an indelible story about the ways in which our pasts and cultures, our scars and shames can shape who we are and determine how we love.
- Sales Rank: #11635 in Books
- Published on: 2016-01-19
- Released on: 2016-01-19
- Original language: English
- Number of items: 1
- Dimensions: 8.62" h x .87" w x 5.68" l, 1.00 pounds
- Binding: Hardcover
- 208 pages
Review
LONGLISTED FOR THE NATIONAL BOOK AWARD
SHORTLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE
"In an age of the sentence fetish, Greenwell thinks and writes, as Woolf or Sebald do, in larger units of comprehension . . . Rhythm, order, music, and lucid expression: there is undeniably a mandarin quality to the way that Greenwell narrows the frame of his inquiry and then perfectly fills this reduced space. But if the novel's formal control has a rare delicacy there is nothing at all hermetic about the story the narrator tells, which has a bitter urgency . . . The novel inhabits conventional motifs in order to renovate them . . . Brilliantly self-aware . . . Greenwell's novel impresses for many reasons, not least of which is how perfectly it fulfills its intentions. But it gains a different power from its uneasy atmosphere of psychic instability, of confession and penitence, of difficult forces acknowledged but barely mastered and beyond the conscious control of even this gifted novelist." ―James Wood, The New Yorker
"In Garth Greenwell's incandescent first novel, What Belongs to You, an old tale is made new and made punishing . . . Mr. Greenwell writes long sentences, pinned at the joints by semicolons, that push forward like confidently searching vines. There's suppleness and mastery in his voice. He seems to have an inborn ability to cast a spell . . . A writer who opens chasms rather than builds substandard bridges . . . A subtle observer of human interactions. He underscores the way expressions of love are nearly always, in part, performance." ―Dwight Garner, The New York Times
"A rich, important debut, an instant classic to be savored by all lovers of serious fiction because of, not despite, its subject: a gay man's endeavor to fathom his own heart." ―Aaron Hamburger, The New York Times Book Review
"Exquisite . . .Risk and desire are the 'coterminous' elements of the book's style as well as its action, terms of engagement Greenwell makes plain from its first page . . . Breathtaking . . . It's hard to tell at times whether the narrator is the innocent abroad or an American abroad among innocents. Greenwell's insight is that the destruction of innocence is a process that never halts." ―Christian Lorentzen, New York Magazine
“[What Belongs to You] is outstanding in just about every way a novel could be.” ―Drew Nellins Smith, Los Angeles Times
“Elegant . . . [Greenwell] describes with sensuous and often unflattering precision the union of shame and desire. . . beautifully wrought.” ―Sam Sacks, The Wall Street Journal
"Expansive, revelatory, and poetic." -- Esquire, the Best Books of 2016 So Far
"Greenwell uses a fluent realism to set the capital of Sofia as the backdrop for the failings of both narrator and his beloved. And the author's long additive phrasings keep the novel humming throughout ... What Belongs to You remains troubling and compelling in its unflinching look at desire." -- Slate, the Best Books of 2016 So Far
"The year's best debut." -- Alex Shephard, The New Republic
"The destructive aftereffects of totalitarian regimes are shown to have a radioactive half-life in [this] exceptional novel." -- Guy Trebay, The New York Times
"Exquisite….Stylistically, Greenwell owes more to Sebald than to Nabokov....One of the great pleasures of his prose is how profoundly thoughtful it is, even when considering physical needs and passions. This is emotion recollected in tranquillity, or rather in melancholy. There is an almost visceral disjuncture between places and actions that are grubby, even squalid, and the delicacy of the lens through which they’re seen. Yet the effect, paradoxically, is one of almost pure emotion." ―Damon Galgut, The Nation
"I had thought of Hollinghurst as I read What Belongs to You, Greenwell's astonishingly assured debut novel, but questioned whether the parallel came to mind because both writers create vivid, enclosed worlds filled with ambiguous and shifting relationships between gay men. In fact, though, the greater similarity lies in their ability to blend a lyrical prose―the prose of longing, missed connections, grasped pleasures―with an almost uncanny depth of observation... [The] middle section [is] a masterful study in alienation and escape... Like the writers he admires, WG Sebald, Thomas Bernhard and Javier Mar�as, [Greenwell] is drawn to the idea of a body of work that seems as though it is all one book, or, as with Sebald in particular, a territory in which the reader wanders. It is perhaps too soon to say precisely what Greenwell's own fictional territory will look like - but even this early on, the landscape looks too riveting to miss." ―Alex Clark, The Guardian
"Garth Greenwell’s What Belongs to You renders in exquisite observational and emotional detail a young gay American teacher’s sojourn in Bulgaria, centering on his turbulent relationship with a hustler. Daringly and convincingly composed, it’s a book about desire’s complexity, the painful intensity of youth and a commitment to careful seeing as a path to artistic revelation." ―Minnesota Star Tribune
“This masterfully told story seems certain to find a permanent place on the shelf of modern American classics." ―Jayne Moore Waldrop, The Courier-Journal
“Greenwell’s novel is an elegant and graphic depiction of gay male desire, written in supple, unsentimental prose.” ―Thomas Chatterton Williams, San Francisco Chronicle
"With his debut novel, What Belongs to You, Garth Greenwell works in traditions forged by queer novelists both past and present....A major achievement." ―Steven Cordoba, Lambda Literary Review
“The strength of this slim book is the vibrant, heartbreaking character Mr. Greenwell creates in Mitko: object of the unnamed narrator’s desire, fear, obsession and, ultimately, pity. . . Mr. Greenwell offers a tender portrait of the longing for connection and acceptance that inhabits us all.” ―The Economist
"Although this is a debut novel, expectations have been running high. What Belongs to You grew from a lauded novella called Mitko. And Greenwell's literary criticism in the New Yorker and the Atlantic demonstrates an unusually keen and insightful mind. That promise is fully realized here in the dark magic of these pages . . . This is a novel of aggressive introspection, but Greenwell writes with such candor and psychological precision that the effect is oddly propulsive . . . In the end, a novel like this can't offer any resolution except its perfect articulation of despair that anyone with a heart will hear." ―Ron Charles, The Washington Post
"Garth Greenwell's What Belongs to You is the Great Gay Novel for our times . . . an astonishing debut." ―Jeffrey Zuckerman, The New Republic
"What Belongs to You is one of the most fearless and heartbreaking accounts of desire that I can remember reading, worthy of its comparisons to James Baldwin and Alan Hollinghurst as well as Virginia Woolf and W.G. Sebald ... It is a novel of rejection and disgust, displacement and transcendence, and I found myself trembling as I read it." ?Johanna Thomas-Corr, Evening Standard
"A great portrayal of obsession … It is in his prose that Greenwell displays his mastery. A relentless logic undergirds his fluid, sighing sentences, an exacting observation of the profit and loss behind the lovers' interactions." ―Maria Dimitrova, The New Statesman
"Garth Greenwell's debut novel aches with desire and tenderness ... Lyrical and haunting, What Belongs to You is a rumination on lust, shame, violence, and the ways in which sexual and emotional pain stays with and shapes us." ?Jarry Lee, BuzzFeed
"Powerful ... One of the stand out debuts of 2016. This is a book that will stay with you long after you read it, and will be remembered as an important novel." ?Cultured Vultures, The Best Books of 2016 So Far
"Greenwell delves deeply into the theatricalities of desire ... But it's [his] carefully crafted and controlled prose that dazzles amid the melancholy, self-doubt and uncertain shifts in his narrator's psyche that entrances the reader. We're privy to a kind of confession with no holds barred when it comes to sex, wariness, distrust and pure unadulterated lust. This is a sumptuous, stunning and unsettling first novel that must be read and celebrated." ?Sam Coale, Providence Journal
"A hauntingly beautiful tribute to unrequited love ... What Belongs to You announces the arrival of a startlingly fresh and brilliant new voice." ?Greg Klassen, Winnipeg Free Press
"Greenwell never shies away from the problematic dynamic that defines the interactions (or perhaps transactions) between the two main characters ... But there is an undeniable tenderness to this novel, and Greenwell brilliantly subverts the narrative of shame and disgust that defines many literary depictions of gay sex ... Greenwell's poignant, clear-eyed debut deserves every word of praise it has received. What Belongs to You is one of the most interesting and important books you will read this year." ?Dominic Amerena, The Australian
“Brilliant … One of the most surprising debut novels to come along in years ... As Greenwell shows us with this beautiful, fluent novel, art is the voice that eradicates distance. It is the voice of love.” –Patrick Nathan, Los Angeles Review of Books
"Beautifully written and desperately sad, this is a masterpiece of literary fiction?and an instant gay classic." ?Winq
"Garth Greenwell's What Belongs to You beautifully plumbs the depths of physical desire to reveal the profound way sexuality defines our sense of ourselves in the world, the way the body's unquenchable longings shape our relationships and our friendships, our loneliness and our ability to love." ?Matthew Griffin, The Guardian
"Feelings of shame, humiliation, and embarrassment have rarely been as vividly described as they are in Garth Greenwell’s debut . . . necessary and subversively exciting . . . it says things that need to be said." ―Dan Callahan, Brooklyn Magazine
“If you care about gay culture and/or good writing, you need to read Garth Greenwell’s debut, What Belongs to You.” ―Rich Juzwiak, Gawker
“Graceful and fearless . . . a haunting work.” ―Vanity Fair
"An astonishing debut novel . . . What Belongs to You stands naturally alongside the great works of compromised sexual obsession such as Thomas Mann's Death in Venice [and] Nabokov's Lolita. . . Headily accomplished . . . What Belongs to You is an essential work of our time." ―Daily Telegraph
"The various settings and transactions involved are described with a detached, carefully styled literary brutalism that feels very of the moment; however, the emotional geography of the story could have come straight from Proust. . . . By the end of this short, intense novel it becomes clear that the collision between our hard-won new capacity for frankness and a deep-rooted sense of archaic guilt and grief is precisely Greenwell's subject." ―Neil Bartlett, The Guardian
"Garth Greenwell starts 2016 on a high note with What Belongs to You, a novel that can be called truly great. The narrative follows an American teacher in Bulgaria and his relationship with a young hustler named Mitko, whom he pays for sex. But the interaction doesn't end there as you might expect, and neither does the exploration of desire, which Greenwell orchestrates brilliantly. Plumbing the depths of sexuality and psychology, What Belongs to You is lingering and haunting." ―Meredith Turits, ELLE.com
“Greenwell’s graceful, pulsating sentences are lined with such spare and sensual imagery, yet manage to include cultural observations, the drift of memories, and honest emotion, too. . . A dazzling debut novel.” ―Bruce Benderson, OUT Magazine
“Greenwell’s masterful first novel suggests that in addition to all the pain we inherit, something else might belong to us too: something of our choosing―in another room, another country, another future―at the end of the street, just out of sight.” ―James Fitzpatrick, The Millions
“What Belongs To You comes to feel, in the end, like a great enactment of an infatuation, exciting and appalling by turns―a brilliantly observed account of an attempt to make another person entirely yours, to subsume them within your story.” ―Jonathan Lee, Guernica
"What Belongs to You is a refreshingly slim, subdued and contemplative piece of work . . . Greenwell writes in long, consummately nuanced sentences, strung with insights and soaked in melancholy . . an uncommonly sensitive, intelligent and poignant novel." The Sunday Times
"Garth Greenwell's first novel is gilded with the kind of praise that debut writers might never dare to imagine for themselves. . . . The praise is earned . . Little here is metaphoric though no word is spare. Every utterance seems imbued with thought that is deep and beautiful in its clarity." ―Arifa Akbar, Independent UK
"Lushly written....Mitko is a singular creation: proud, violent, tender, pitiable and, in the end, unforgettable." ―Tom Beer, Newsday
"These 'little theaters of heat,' these packets of desire or panic or imminence, these doublings-down of doubt and upswellings of confidence―these concentrations of feeling are Greenwell's subject. The novel is explicitly set in Bulgaria, but implicitly it is set on the staging ground of intensity itself….We are given access to an interior radiance that's blazing and singular, and has much to say about language, about class, about heritage, about desire, about deceit…You know a book has its grip on you if the world within it is so rich, so exquisitely tense, that you resent the real one for keeping you from it." ―Christopher Frizzelle, The Stranger
"Equal parts sexy and painful (and more often than not blurring the lines between the two), the book dives deep into matters of cultural differences, shame, illness, and human relationships." ―Anna Fitzpatrick, NYLON
“There is so much to praise in What Belongs to You.. . let us not view this as merely a great gay novel, though it is one. Let us include What Belongs to You among great novels period, novels of consciousness as diverse as Austerlitz and As I Lay Dying. That is where it belongs.” ―Micah Stack, Fiction Advocate
“[A] remarkable debut novel that already feels like a classic.” ―Jim Farley, The Gay & Lesbian Review
“Right from its heady, lusty outset, Garth Greenwell's ravishing debut novel, What Belongs to You, whirls into a storm both erotically and psychologically charged . . . What Belongs to You is as deliciously unpredictable as the object of the narrator's affection. At once tense, introspective, vexing and erotic, it easily entwines itself with a willing reader, and lingers.” ―Dave Wheeler, Shelf Awareness
“At just about two hundred pages, What Belongs to You feels at once expansive and instantaneous, and its lyrical use of time is one of its most striking and immersive elements. In any given section, every moment of the book is present. . . the novel recalls works like Rachel Cusk’s Outline, Elena Ferrante’s Neapolitan novels, and Teju Cole’s Open City; and, of course, it descends stylistically from Sebald. . .What Belongs to You is a haunting, gorgeous, and fierce debut, capturing desire in every sentence―holding the space of what we long for and what can never truly be ours.” ―Alex Madison, The Rumpus
"A meticulous stylist . . . Greenwell's lines tease and tear at the soul." ―The Millions, (Most Anticipated preview)
“I was beginning to think the literary world had given up on sincerity. Too often these days, love, desire, lust, and obsession are treated with eye-rolls of cynicism or comedy. The fallen stock in genuine emotion makes Garth Greenwell’s debut novel, What Belongs to You, that much more of a triumph . . . Greenwell’s gorgeous, roaming prose untangles questions of transaction, identity, cruelty, and just how much of a knowing a stranger is willful invention. Along the way, certain observations . . . strike so deep, they bleed.” ―Christopher Bollen, Interview
“[What Belongs to You is] the first great novel of 2016 . . . The book is brilliantly structured . . . [and] Greenwell’s ability to parse the complex emotional push-and-pull between the two men is incredible, and rivals books like Hanya Yanagihara’s A Little Life or Ferrante’s Neapolitan novels. His images are spot-on . . . And in Mitko, Greenwell has created one of the best characters in recent years. What Belongs to You is a great tragedy, and Greenwell is a great writer. I’ll be reading whatever he writes next.” ―Gabe Habash, Publishers Weekly (Staff Pick)
“I don't usually like to say these things, but Garth Greenwell is a remarkable new talent.” ―Amie Barrodale, VICE
“Sexually frank, deeply felt, and admirably constructed . . . This provocative tale rests on the theme―to which we can all respond―of the human need for possession.” ―Brad Hooper, Booklist
"Eloquent & emotionally wrenching... A superb evocation of that curious state known as love; of knowing, as the title has it, what belongs to you and realizing what can never be yours... Greenwell's shimmering novel recounts an age-old story with such toughness and tenderness as to make it seem new." ―Donal O'Donoghue, RTE Guide (Ireland)
“There is a sense in which two people with their clothes off in a room bring everything in their lives in with them, but I’ve never before found a writer who is able to convey it as well as Greenwell can, in elegant, formal sentences. He is the new voice I’m most excited about for 2016, the writer whose style feels the most like he’s made up a new way of speaking. . . His shames are both common and terribly sad, beginning with his father’s violent rejection of his homosexuality. He expresses this history in a single, forty-page paragraph that again in the precision of its psychology is almost like nothing I’ve ever read.” ―Valerie Stivers, An Anthology of Clouds
“In prose that is at once refined and lavish―the quiet dignity and control of Kazuo Ishiguro’s The Remains of the Day coupled with the agonized passion and sexual tension of Andr� Aciman’s Call Me by Your Name―Garth Greenwell takes us deep inside a specific Bulgarian subculture to examine the universal: the disparity between the uninhibited lives we desire and the bearable lives we choose. I began reading What Belongs to You in admiration; I ended in tears. An exquisite debut.” ―Jamie Quatro, author of I Want to Show You More
“With What Belongs to You, American literature is richer by one masterpiece. The character Mitko is unforgettable, as all myths are. He reigns at the heart of this book, surrounded by the magic flames of desire.” ―Edmund White, author of Jack Holmes and His Friend
“What Belongs to You is a rich and sensually detailed exploration of love and obsession. A haunting, beautiful novel.” ―Rabih Alameddine, author of An Unnecessary Woman
“Garth Greenwell is a unique, and uniquely welcome, voice in American letters. The consciousness on display in his debut novel is so rich and restless that it seems practically inexhaustible: a consciousness that rises to heights of both passion and intellect―of passionharnessed by intellect. What Belongs to You very much seems to me not only a great novel but the first installment in a great body of work.” ―Kevin Brockmeier, author of The Illumination
“I am in awe of this book. So intimate, so honest, so exquisitely crafted, it broke my heart and left me in tears. It showed me a Bulgaria both familiar and entirely novel, rendered with candor and deep affection, and characters whose plight and desires seemed at first foreign yet, before long, so dear. Garth Greenwell has written a marvelous book, an important book―one whose impact is as much artistic as it is cultural. What Belongs to You expands not simply the world of letters but also our collective knowledge of what it means to be human.” ―Miroslav Penkov, author of East of the West
About the Author
Garth Greenwell is the author of Mitko, which won the 2010 Miami University Press Novella Prize and was a finalist for the Edmund White Award for Debut Fiction and a Lambda Award. A native of Louisville, Kentucky, he holds graduate degrees from Harvard University and the Iowa Writers’ Workshop, where he was an Arts Fellow. His short fiction has appeared in The Paris Review and A Public Space. What Belongs to You is his first novel.
Most helpful customer reviews
29 of 33 people found the following review helpful.
Beautifully written, deeply felt...Greenwell will have one heck of a career ahead of him!
By Larry Hoffer
Some books dazzle you with plot twists and action, yet some books can truly wow you with the power of their storytelling, their language, and their imagery. Garth Greenwell's debut novel, What Belongs to You, definitely falls into the latter category. It's stunning, emotional, lyrical, and it quietly grabs you and doesn't let go.
One unseasonably warm afternoon in October, our narrator, an American teacher living in Bulgaria, goes to a restroom in Sofia's National Palace of Culture. This is a restroom where men go to have sexual encounters, and he is aware of this, but meeting Mitko, a young hustler, takes him by surprise. He pays Mitko for sex, and finds himself immensely drawn to him, so he returns to that restroom over and over. And although he knows inherently that Mitko is going through the motions with him as he probably does with his other "friends," he still hopes that he might find his way into Mitko's heart.
"...how helpless desire is outside its little theater of heat, how ridiculous it becomes the moment it isn't welcomed, even if that welcome is contrived."
He comes to terms with the fact that while Mitko may enjoy their encounters, ultimately Mitko sees him as a source for money, and there is a fine line between knowing you're being used and fearing you may be harmed as a result. As he tries to decide what to do with Mitko, an urgent message forces him to confront his own childhood, and the mistreatment and veiled disgust with which he was treated once he accepted his sexuality. He also tries to decipher the patterns in his behavior that has led him to the same situations time and time again.
"...always I feel an ambivalence that spurs me first in one direction and then another, a habit that has done much damage."
What Belongs to You is a novel about desire, and the desire to be wanted. It's about the struggle between following your heart and your libido instead of your head, and both the consequences and triumphs that come from doing so. It's also about how the hardest thing to do is reconcile your own issues with self-esteem, and finally realize only you can be responsible for your happiness and satisfaction.
Greenwell's talent is evident from the very first lines of this book, and his poetic use of language and storytelling ability sustains through the book's entirety. I truly cared about the narrator and worried what would become of him, hoping against hope that Greenwell wouldn't abandon the purity of his story for the sensational, and was so pleased he didn't. This is a beautiful, magnificent, deeply felt book, and I felt privileged to read it. I can't wait to see where Greenwell's career takes him—I know I'll be following.
19 of 20 people found the following review helpful.
A beautiful novel about the choice between lust and love, and about the mysterious nature of human motivations
By PETER FREUND
This powerful novel sings the song of praise for the ways unrestrained lust gets fully satisfied in the dark venues of the promiscuous man-to-man sex-trade. The narrator wonders whether he is in love with the handsome, alcoholic, twenty-three year-old Bulgarian hustler Mitko, but when it comes to actually finding out whether love is the force driving this relationship, the arguments invariably lead to the boundless pleasures the narrator finds in Mitko’s crotch. By contrast, his attempted monogamous sexual activities with a Portuguese man are found to pale when compared with what Mitko offered. In final analysis, we are told that in sex any restrictions, in particular the restrictions placed by the socially acceptable rules of monogamy, tend to dilute the power and beauty of the sexual act. After all, the sexual act has the marvelous feature that the egoistic pursuit of maximal sexual pleasure demands the altruistic act of giving pleasure to one’s partner, for this enhances the pleasure one gets. This is probably the most beautiful use of egoism by man. It is also worth remembering that monogamy in gay sex is not needed to make sure that one is the father of one’s partner’s children, whereas in the millennia before DNA analysis became possible, monogamy in straight sex was justified as the best way to take care of this problem.
Having all this story play itself out in Bulgaria, one of the poorest countries in Europe, with all the environmental damage inflicted by more than half a century of communist rule, gives it the right dark color. The backwardness is constantly felt at many levels in this novel. Even the perils of the depicted lifestyle and their consequences are backward: Mitko is not addicted to drugs, as he would have been had he been born in XXth century America, he is alcoholic as he could have been in XIXth century Bulgaria, and the STD he infects his partners with is not AIDS, the XXI century STD, but rather syphilis, a disease one associates with the pre-antibiotic XIXth century. The author even mentions Gustave Flaubert, though with equal effect he could have ticked off a whole list of XIXth century major artists who came down with this disease: Franz Schubert, Robert Schumann, Gaetano Donizetti, to mention but three composers.
Stylistically, the book is rich. A few small quibbles: The narrator seems afflicted with a predilection for climbing “hills,” one such climb even destroys his shoes; There is also a stylistic device whereby the narrator states his view of the motivation of some characters’ actions, and in the next sentence strongly qualifies what he has just said. Used a few times, this is a clever way of showing how hard it is to really understand human motivations, but in my opinion this device is overused to a point where it starts sounding like a mannerism. I mentioned this because the very title of the novel, “What Belongs to You” indicates that the author was deeply interested in exposing how our motivations and therefore also the traits we acquire (traits that now “belong to us”) are ill-defined.
The novel flows beautifully, continuously keeping the reader’s interest. The author keeps finding what the just mentioned Gustave Flaubert called les mots justes.
In brief, this is a gorgeous novel.
23 of 27 people found the following review helpful.
Grate Gay Novels- Yes, Grate
By Ken C.
This novel took me a while to warm up to, Most of it concerns a relationship of an older man with Mitko, a Bulgarian rentboy. I thought the author did a great job of describing both the rentboy and the customer and creating the proper feelings that each would have. This relationship may be novel to many readers, but for older gay men who have seen many of their friends go though the exact same thing, it is nothing new. Older man falls for younger rentboy, thinks there might be something there, learns- usually the hard way- that the boy is only interested in the wallet. That the boy has problems is common. A reviewer for The New Republic describes this novel as "The Great Gay Novel For Our Times." To that I say "hogwash" with as much emphasis as I can. The great gay novel that is about a man who cannot express properly his gay feelings and must resort to commercial sex is not a great gay novel. Yes, it may be a good one. But here we have a man who could not open himself up to others. Most gay men defy that categorization. My other problem with the novel is the wasted space where we are told in such detail on his walks about the broken cement, the muddy shoes, the abandoned condom. All of that more than once. Welearn in detail about a cathedral where construction had failed. Why? The digression that occurs when he hears about his father's illness is also a wasted opportunity, one never resolved anyway. The visit from his mother is dispensed with in a few sentences. Then they got on a train and the author spends pages-pages!- about a young boy who shared the same rail car. Who cared? I came to this novel because the author wrote a review for The Atlantic of the novel "A Little Life." Greenwell thinks that that novel is "the great gay novel." My "hogwash" epithet began at that moment as I saw the novel as homophobic. A female author writing about gay relationships features men who deny that they are gay or even a part of the gay community. Other men who prey on vulnerable young boys are pedophiles, not gay men taking part in the great gay novel. There is only one real gay character in that novel. If these two reviewers want to pat themselves for finding the great gay novel, well they are hallucinating.
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