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Ethan Frome (Norton Critical Editions), by Edith Wharton
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This Norton Critical Edition of Edith Wharton's celebrated novella is based on the first edition, published by Charles Scribner's Sons in 1911.
It is fully annotated for undergraduate readers."Backgrounds and Contexts" includes a rich selection of materials, some previously unavailable, for the study of contemporary psychological, social, and economic issues, as well as Wharton's private correspondence and writings and biographical accounts of the author.
Arranged under two headings, "Criticism" reveals Ethan Frome's impact as both a literary work and a social commentary. "Contemporary Reviews" consists of eight prominent assessments of Ethan Frome, including reviews from the New York Times Book Review, Outlook, The Nation, the Saturday Review, and those penned by Frederic Taber Cooper and Elizabeth Shepley Sergeant, among others. "Modern Criticism" (1956-1991) includes seven interpretations of the novella by Lionel Trilling, Elizabeth Ammons, Judith Fryer, Jean Frantz Blackall, Lev Raphael, Candace Waid, and Cynthia Griffin Wolff.
A Chronology and a Selected Bibliography are also included.
- Sales Rank: #788919 in Books
- Published on: 1994-12-17
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x .50" w x 5.20" l, .49 pounds
- Binding: Paperback
- 188 pages
Review
"With each volume having an introduction by an acknowledged expert, and exhaustive notes, the World's Classics are surely the most desirable series and, all-round, the best value for the money."--Oxford Times
From the Publisher
Webster’s paperbacks take advantage of the fact that classics are frequently assigned readings in English courses. By using a running English-to-Spanish thesaurus at the bottom of each page, this edition of Ethan Frome by Edith Wharton was edited for three audiences. The first includes Spanish-speaking students enrolled in an English Language Program (ELP), an English as a Foreign Language (EFL) program, an English as a Second Language Program (ESL), or in a TOEFL� or TOEIC� preparation program. The second audience includes English-speaking students enrolled in bilingual education programs or Spanish speakers enrolled in English speaking schools. The third audience consists of students who are actively building their vocabularies in Spanish in order to take foreign service, translation certification, Advanced Placement� (AP�) or similar examinations. By using the Webster's Spanish Thesaurus Edition when assigned for an English course, the reader can enrich their vocabulary in anticipation of an examination in Spanish or English. TOEFL�, TOEIC�, AP� and Advanced Placement� are trademarks of the Educational Testing Service which has neither reviewed nor endorsed this book. All rights reserved.
From the Inside Flap
This edition presents Wharton's two most controversial stories, which she considered inseperable, in one volume for the first time. Set in frigid New England, both deal with sexual awakening and appetite and their devastating consequences. This text includes newly commissioned notes.
Most helpful customer reviews
60 of 63 people found the following review helpful.
"We shall never be alone again like this"
By E. A Solinas
Edith Wharton filled her novels with a feeling of ruin, passion and restriction. People can fall in love, but rarely do things turn out well.
But but few of even her books can evoke the feeling of "Ethan Frome," whick packs plenty of emotion, vibrancy and regrets into a short novella. While the claustrophobic feeling doesn't suit her writing well, she still spins a beautiful, horrifying story of a man facing a life without hope or joy.
It begins nearly a quarter of a century after the events of the novel, with an unnamed narrator watching middle-aged, crippled Ethan Frome drag himself to the post-office. He becomes interested in Frome's tragic past, and hears out his story.
Ethan Frome once hoped to live an urban, educated life, but ended up trapped in a bleak New England town with a hypochondriac wife, Zeena, whom he didn't love. But then his wife's cousin Mattie arrives, a bright young girl who understands Ethan far better than his wife ever tried to. Unsurprisingly, he begins to fall in love with her, but still feels an obligation to his wife.
But then Zeena threatens to send Mattie away and hire a new housekeeper, threatening the one bright spot in Ethan's dour life. Now Ethan must either rebel against the morals and strictures of his small village, or live out his life lonely. But when he and Mattie try for a third option, their affair ends in tragedy.
Wharton was always at her best when she wrote about society's strictures, morals, and love that defies that. But rather than the opulent backdrop of wealthy New York, here the setting is a bleak, snowy New England town, appropriately named Starkfield. It's a good reflection of Ethan Frome's life, and a good illustration of how the poor can be trapped.
Even when she describes a "ruin of a man" in a cold, distant town, Wharton spins beautiful prose ("the night was so transparent that the white house-fronts between the elms looked gray against the snow") and eloquent symbolism, like the shattered pickle dish. There's only minimal dialogue -- most of what the characters think and feel is kept inside.
Instead she piles on the atmosphere, and increases the tension between the three main characters, as attraction and responsibility pull Ethan in two directions. It all finally climaxes in the disaster hinted at in the first chapter, which is as beautifully written and wistful as it is tragic.
If the book has a flaw, it's the incredibly small cast -- mainly just the main love triangle. Ethan's not a strong or decisive man, but his desperation and loneliness are absolutely heartbreaking, as well as his final fate. Mattie seems more like a symbol of the life he wants that a full-fledged person, and Zeena is annoying and whiny up until the end, when we see a different side of her personality. Not a stereotypical shrew.
"Ethan Frome" is a true tragedy -- as beautifully written as it is, it's still Wharton's description of how a man merely survives instead of living, hopeless and devastated.
0 of 0 people found the following review helpful.
A 'Classic' or not?...................
By Ronald W. Maron
It is an interesting thought process when you examine why some novels are rated as 'Classic' while others of the same time period are not. The author, Edith Wharton, does succeed in two separate areas. Her writing abilities are quite good and she was able to define scenes, events and characters in a highly defined and pleasant manner. Also, her characters are well defined and literally jump off the page into the reader's mindset/ The plot and action of the tale, however, wane quite literally. No, we do not live in a world of rainbows and fairies but neither do we live in the tragic world that our hero, Ethan, is forced to deal with. Equally absurd is the fact that Ethan, to the end, did nothing to revolt against the factors that oppressed him. Lastly, I am not sure if the attempted suicides were meant to continue casting gloom upon Ethan's fate or that this was a religious lesson by the author of how self-destruction is a sin and forbidden by the period in which Ethan lives.
In sum, this novel can be viewed favorably for its writing style does not serve as a model from which we can personally grow......
0 of 0 people found the following review helpful.
Buy a different edition
By N0DY
I'm not commenting on the novel itself, but on the printing. In a word, awful. The author's name is spelled 'Edit Warton' on the first page! The type is minuscule. It looks, literally, like it was downloaded from a public domain site and printed without further editing. There's no intorduction, no background on the author.
If you want to read this book, buy a different edition.
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